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About 1,200 music supervisors decide what music goes into film, TV, ads, and games, and over 1,000 of them find it on DISCO. Claudia Campos Jugo of DISCO shows you how to get your catalog in front of them.
About this replay
There are about 1,200 active music supervisors in the world. They choose the music for film, TV, ads, runway shows, and video games, and over 1,000 of them receive music through DISCO. In this session, Claudia Campos Jugo, Account Executive at DISCO, walks through the platform from the inside: uploading your catalog, nesting instrumentals and stems under the main track, embedding your splits and contact info in the file, tagging, playlist templates, and how supervisors search for music. She also answers member questions on cold pitching, trials, and what to do when an account lapses. Then Yudu Gray Jr. shares his first sync (an NBA ad that closed in two days), the Carnival Cruises placement that paid back an entire publishing advance, and his keys to sync: do your homework, keep the pitch to three sentences, get the one-stop clause in every agreement, and start with student and indie films. Try DISCO free for two weeks with the 24/7 community link: https://accounts.disco.ac/signup?partner_source=247artistcohort2026&signup_key=artist Guest: Claudia Campos Jugo, Account Executive, DISCO Host: Yudu Gray Jr., Co-Founder, 24/7 Artists
What you'll learn
- How music supervisors find and receive music
- Why you only upload songs you can fully clear
- How to nest versions and stems under one track
- The metadata supervisors check first
- How to write a three-sentence sync pitch
- Cold-pitch etiquette: who, how many songs, how long to wait
- Why the one-stop clause wins placements
- Micro-syncs and what brands pay indie artists
- How to land your first placement with student films
About the instructor
CC
Claudia Campos Jugo
Account Executive